Helmed by Portishead co-founder the musician-producer, this scabrous though slight debut feature turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were primarily out for number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
Just a single important plot development, but it results in a hilariously staged rampage on the forest trails that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
Game is in British and Irish cinemas from 17 November.
